Check Out Cheatsheets – Photography Guide – Take Better Photos with CANON Rebel XT XTi XS XSi T1i 7D 10D 20D 30D 40D 50D 300D 350D 400D 450D 500D 1000D EOS 5D 1D 1Ds 1v Mark II III T2 K2 1v A1 AE1 AT1 AV1 EF F1 FTB T90

March 2nd, 2010 by madee998

Cheatsheets – Photography Guide – Take Better Photos with CANON Rebel XT XTi XS XSi T1i 7D 10D 20D 30D 40D 50D 300D 350D 400D 450D 500D 1000D EOS 5D 1D 1Ds 1v Mark II III T2 K2 1v A1 AE1 AT1 AV1 EF F1 FTB T90 Review


I am obviously an amateur. I have taken photography classes, but every time I get an a situation where I am flustered with finding the correct lighting settings, I reference these. They are great! The perfect “cliff note” and on lookers don’t know what the small cards are. The lamination is nice for rainy situations (or if your little one decides to use it as a teether).

Cheatsheets – Photography Guide – Take Better Photos with CANON Rebel XT XTi XS XSi T1i 7D 10D 20D 30D 40D 50D 300D 350D 400D 450D 500D 1000D EOS 5D 1D 1Ds 1v Mark II III T2 K2 1v A1 AE1 AT1 AV1 EF F1 FTB T90 Feature

  • Concise, durable & ultra-light ~ Great reference for Beginners and Pros alike
  • Numerous how-to tips, tricks, techniques, and charts to help create stunning images
  • Unlike most manuals, Quik Cards are written in easy-to-understand language
  • Universal for DSLR and SLR cameras
  • SAVE OVER .00 ~ Look For our “Quik Cards 3 Pack” ~ Includes Quik Cards I, II, and III

Cheatsheets – Photography Guide – Take Better Photos with CANON Rebel XT XTi XS XSi T1i 7D 10D 20D 30D 40D 50D 300D 350D 400D 450D 500D 1000D EOS 5D 1D 1Ds 1v Mark II III T2 K2 1v A1 AE1 AT1 AV1 EF F1 FTB T90 Overview

12 Laminated 2.5″ x 4″ cards on a carabiner keychain. With numerous how-to tips, tricks, techniques, and charts to help create stunning images. The Photo Buddy Quik Cards are an inexpensive way to get up to speed on techniques that will help you create stunning photos. These concise, durable & ultra-light cards are a great reference for avid photographers — just clip them in your camera bag for quick help when you’re out shooting. The Quik Cards or “cheatsheets” are small enough to be easily stored in your camera bag or clipped just about anywhere. Unlike most manuals, Quik Cards are written in easy-to-understand language.

 

Cards Included in this set:

 

1. Metering and Exposure

2. Changing Exposure Settings

3. Lighting

4. Fill Flash

5. Landscape

6. Water

7. Flowers

8. Sunrises/Sunsets

9. Nighttime photography

10. Fireworks

11. Portraits

12. High Key / Low Key

 

SAVE OVER .00 – Now Available – Quik Cards 3 Pack, Includes Quik Cards I, II, and III.  Take a look at our other products to find the 3 pack and purch

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Customer Reviews

Info Good – Product Quality definately not worth the price – Reaching Stars – san francisco, ca
I purchased these cards mostly because of the reviews and my need. The info on the cards are good but I was sorely disappointed in the quality. The lamination is very lightweight and I can’t see that it will last very long. It seems someone printed these on their printer and laminated themselves and while more power to people starting their own businesses, at least give me the quality I’m paying for. These cards are definately worth it if I paid about or (which would still be a significant profit) but is just a clear rip off of my money.

Don’t buy a bulky book. Get this instead! – Sarah Wakely – Orlando, FL
I Love it!!
I bought this because I’m new to photography and I needed a guide that was relatively small to carry around with me while I took pictures. I was able to clip it onto my belt buckle and go. Fantastic!
I highly recommend this!

Nice to have in your camera bag! – Brenda – Omaha, NE
It tells you what you need to know, without bring a book with you.. Great for people that are new to SLR’s.
*** Product Information and Prices Stored: Mar 02, 2010 05:14:04

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Check Out Ikelite Underwater Camera Housing for Canon Powershot G-11 Digital Camera

February 27th, 2010 by madee998

Ikelite Underwater Camera Housing for Canon Powershot G-11 Digital Camera Review

Ikelite Underwater Camera Housing for Canon Powershot G-11 Digital Camera Overview

This durable housing is molded of crystal clear polycarbonate for corrosion free operation up to a depth of 200ft (60m). Every camera function is accessible in this very sophisticated housing installation. The included tray and release handle offers balance and exceptional handling while providing a convenient attachment point for optional Substrobe mounting arms. Strobe arms can be released easily at the touch of a button whether above or below water. The optional Dual Handle and Tray assembly #9523.32 provides even greater stability and allows for the addition of a second Substrobe. The housing comes standard with an optical grade glass flat port which allows full use of the camera’s zoom range without vignetting. A flash diffuser is included to improve image quality when using the camera’s built-in flash to illuminate the subject. The camera’s flash is relatively weak for underwater use and partially blocked by the housing’s port. Effective use is limited to macro photography at a distance of less than 2 feet (0.6m). Special conversion circuitry built in to the housing provides true Canon eTTL exposure connected to any current model Ikelite DS Substrobe. The camera controls the Substrobe’s output resulting in effortlessly perfect exposure. Color Correcting Filters Optional color correcting filters replace some of the reds and more natural tones that would otherwise be lost. Available for tropical blue water and green water

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*** Product Information and Prices Stored: Feb 27, 2010 23:26:04

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Taking Great Photos Tips

February 21st, 2010 by madee998

If you want to learn how to take great photos, then you are going to have to learn some basic photography composition techniques. This article will give you those techniques that you need.

First off, there are two different parts to photography that you should work on getting good at.

1. Composition

2. Technical

Photography uses two different parts of your brain, the technical, and the artistic side. Now, let’s get to the basics of technical photography.

Most cameras give you control over your cameras settings. You can adjust some settings and even if you have a point and shoot camera, you should be able to change the shutter and such a little.

Shutter Speed- This is what controls how long light is let into your camera

Aperture- This setting controls the size of the iris that lets light in. A bigger size means that more light is let in. Larger sizes mean that the light let in is going to be less focused, meaning a shallow depth of field.

Now, these are the two most important settings to know when taking photos. Improper setting of this will result in blurry, dark, or over bright shots

Composition

When taking great compositional shots, it is really not that hard. The tips below are just a start how to take great shots.

Get Closer – Lots of beginners fail to take good pictures because they’re just too far away. This makes photos cluttered and hard to really have one focal point

Keep it Simple- Many photos are way too complex and hard to view. Try focusing on one primary subject for each photograph and bring out the important parts of this subject.

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Canon Powershot A570 IS Review

February 20th, 2010 by madee998

The Canon A570IS raises the bar with optical image stabilization, which only works when the camera is held horizontally. One of the biggest limitations of consumer digital cameras is the need to hold the camera steady to get a clear shot. At higher zooms and in night shots this problem can be compounded. I’ve taken a number of shots with and without IS, and it is useful but not a “magic bullet” for poor shots. Small details like far-away signs at night become clear when the IS is engaged. You can set the IS to run continuously during preview, only when the shutter is released (slightly lower battery drain), only on vertical movement (better for objects that are moving horizontally), or disabled (I have yet to find a reason to do so). And, unlike many cameras I’ve seen, the IS works in video capture mode.

The A570 IS has better light metering and noticeably sharper detail on indoor shots without a flash. Picture quality in general is excellent, even in low light situations. Noise at higher ISO is significantly more controlled than the A540, perhaps a benefit of the new 7.1MP CCD and the Digic III image processor. According to the documentation, noise reduction is applied at slow shutter speeds of 1.3 seconds or greater, and this can slightly slow down shot-to-shot time. There is no option to disable or adjust the noise processing, but in my experience the results are very good. When noise reduction is applied.

The A570 IS offers full manual controls and also two more modes (kids & pets indoor)to the mode selector wheel. The A570IS also adds a new Aquarium scene mode, while removing the useless Color Swap and Color Accent modes. Canon has also removed the “My Camera” customization menu (for changing the startup picture and various sounds)

The movie mode is excellent,i have used it on a number of occasions to capture audio and video when a picture just wont do.The A570 can now capture video up to 1 hour or 4GB whichever comes first. Video files are very large (around 1.9MB/second at 30fps) but they compress extremely well with QuickTime Pro’s MPEG4 codec.

TIPS:

1) make sure you do a low-level format before you use your SD card in this camera, even if you had formatted it for another Canon camera. It makes a significant difference in shot-to-shot speed

2) always use high-capacity (2500 mAh or greater) NiMh rechargeable batteries – the flash recharge time is much improved (though still 4-6 seconds)

3) for indoor flash close-up shots, may need to override ISO to 100 for better quality

4) for outdoor shots in bright sun, setting exposure -2/3 gives better control of bright areas

5) if you use the conversion lens adapter, don’t plan on using the built-in flash which is partially obscured by the adapter. I haven’t tried it, but would expect the external flash to not have this problem.

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Great Price Sigma B000JDJJ82 for $419.00

February 18th, 2010 by madee998

Sigma 18-50mm f/2.8 EX DC SLD ELD Aspherical Macro Lens for Canon Digital SLR Cameras Review


A solid lens with decisive focusing, producing crisp warm photos, but in my use was prone to camera shake and mis-focus.

Attached to my Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens, the lens AF was quick and decisive, and very quiet despite the lack of HSM (Sigma’s version of USM). The build is solid and well-made, although the focus ring on the outside of the lens turns during AF (not IF).

As an added bonus, Sigma provides both a custom-fit case and a lens-hood. This is a touch of class that I wish Canon would offer with their EF-S lenses.

But despite my anticipation, all of my test shots were surprisingly displeasing (blurry, misfocused, etc). In case I had just been careless, I did a series of casual shots through the course of a social evening, using different lenses (including the Canon EF 28mm f/1.8 USM Wide Angle Lens for Canon SLR Cameras, the Canon EF-S 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens for Canon Digital SLR Cameras, and the Canon EF 50mm f/1.8 II Camera Lens, and then picked out my favorites without checking which lens made them. Not a single one was from this Sigma. Suspicious now that I might have a bad copy, I did a series of the famous “battery test” shots to look for front/back-focus issues. Those turned out perfectly. So what was the problem?

After some more tests, I figured out that one issue was camera-shake (the battery tests were on a stable surface)– I might just have an unsteady hand, but this is a short lens, and I hadn’t experienced this on my various Canon lenses (both IS and non). A further issue was that even with good contrast, the AF wasn’t picking the center (strongest) focus point. Switching to single-point as I had with the battery test produced the sharply focused images I had expected. This was my first non-Canon lens, so I’m not sure if this is somehow intrinsic to using a 3rd party lens.

The Sigma abbreviations on this lens mean:
EX: Sigma’s higher build/optical quality
DC: Made for digital, smaller/lighter than “DG” lenses (similar to canon’s EF-S vs EF)
SLD: Special Low Dispersion glass (for sharpness, color correction, minimizing chromatic abberations)
ELD: Extraordinary Low Dispersion glass, similar to SLD

If Sigma offered an OS (optical stabilized) version of this lens, I’d be happy to try that. But as it is I really wanted to like this lens but the results were only ambivalent for my uses. If you have a steady hand (or shoot tripod-mounted), and are willing to focus manually (or use only center-point AF), this is a well-built lens that produces decent images at a moderate price-point, hence the four stars.

But for my usage, it wasn’t compelling and I never found myself reaching for this one over the other lenses, so it’s going back.

Sigma 18-50mm f/2.8 EX DC SLD ELD Aspherical Macro Lens for Canon Digital SLR Cameras Feature

  • Large aperture of f2.8 throughout the entire zoom range
  • Minimum focusing distance of 7.9 inches with a maximum magnification of 3x
  • Aspherical lenses offer compact and lightweight construction
  • SLD and ELD glasses offer excellent correction of color aberrations
  • Designed to fit Canon digital SLR cameras

Sigma 18-50mm f/2.8 EX DC SLD ELD Aspherical Macro Lens for Canon Digital SLR Cameras Overview

This lens has a large aperture of F2.8 throughout the entire zoom range, a minimum focusing distance of 20cm (7.9″) and a maximum magnification of 1:3, making it ideal for close-up photography.Specially designed to suit the characteristics of digital SLR cameras this lens provides a high level of optical performance. Its design incorporates both glass-mold and hybrid aspherical lens technology which offers superior peripheral brightness, extremely high image quality as well as a compact and lightweight construction.Special Low Dispersion (SLD) and Extraordinary Low Dispersion (ELD) glass elements provide excellent correction of color aberrations. The super multi-layer lens coating reduces flare and ghosting, a common problem with digital cameras. High image quality is assured throughout the entire zoom range. An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the petal-type lens hood (supplied) plus circular polarizing filters.

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Customer Reviews

Great lens for the price – Daniel J. Lundwall – Salt Lake City, UT
I thought I would write a review today as I purchased this lens some time ago and have had a chance to use it. It has worked out for me quite nicely. It is a fast enough lens for me to do nice indoor shots with minimal light. The quality of this lens is great. Sigma knows how to make a lens!!

Awesome – B. Durham –
I was a little reluctant after reading lots of comments on various sites about this, but I decided to give it a try. The sharpness beat my expectations. I have heard of people complaining about softness and front focusing, but I have not seen either.

I was also surprised the HSM motor. Mine is very quiet and very fast. I have the excellent Nikon 18-200 VR and I would say that the focusing speed is maybe not quite as fast, but very close to it.

I would recommend this lens to anyone who wants a f2.8 lens in this zoom range.

Great Lens ! – Eduard –
I switched all kind of nikon lenses, and 1st time decided try 3rd lens party, and i don`t regret , its a great lens and f/2.8 make this lens number 1 in price range 420$.

Solid Kit lens – DigitalProphet –
This lens is an excellent replacement for the kit lens that comes with most cameras.

Pros:
Quiet even without HSM
Fast Focusing in most lighting conditions
Solid construction

Cons:
Low light slow to focus…while not a deal breaker you buy 2.8 for those moments

Would I buy this for a friend. Yes, while it is not Canon L glass, it is a great substitute when you take into account the cost.
*** Product Information and Prices Stored: Feb 18, 2010 13:04:05

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Check Out Dot Line Remote Release Cord for Canon EOS 5D, 10D, 20D, 30D Digital SLR Cameras

February 14th, 2010 by madee998

Dot Line Remote Release Cord for Canon EOS 5D, 10D, 20D, 30D Digital SLR Cameras Review


I thought that the price for the official Canon remote release cord was ridiculously high, so I poked around on Amazon until I found this one. I just got it, and it works fine. The unit feels solid, not cheap, and it works as advertised.

The remote uses a plunger-type switch, which I have not used since the early 80’s on an old film camera. I don’t see much difference in real use: in either case, you have fine control over how much you press the button to get the camera to auto focus, and then to trip the shutter.

The only thing I don’t like about this model so far is that if you press the button all the way in, it will lock, and you have to hit another switch to release it. This would be fine for a long exposure, but if you are going to take a number of shots one after the other with it, I’m worried that I’ll lock it by accident. (The remote release I’m most used to, for the Canon Rebel, can also lock the shutter open, but you have to make a positive movement to do so. With this model, just pressing too hard will do it.)

I’ll have to see how well it works in actual use to judge whether accidental locks will be a problem.

Dot Line Remote Release Cord for Canon EOS 5D, 10D, 20D, 30D Digital SLR Cameras Overview

This simple Remote Shutter Release from Dot Line works with Canon film and digital SLR cameras featuring a 3-pin remote cable connector, including the Canon 5D, 30D, and 20D. This remote features a 2′-long cord (0.6 m) and a traditional thumb-activated plunger release mechanism.

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Customer Reviews

Nifty little item – S. McMurphy – Palm Springs, CA
Ok, so I was looking for a remote shutter cable for my Canon 1D mark II. found lots of them. Some, like the Canon made items, were far to expensive. so I decided to go with this one…. the product discription does not state that it will work with the 1D mark II. But since I knew that the 5D, 20D, 30D, and 40D all have the same conecter as the 1D I though I would give it a shot…. and I am glad that I did! It works perfectly with the 1D!
I take a lot of night time long exposure shots… so this type of item is almost manditory for me… I am not disapointed at all… it has an ok feel in the hand… it is made of plastic but sturdy enough plastic… the controls are simple… and it has the old type feel to it with its release action…. it is a simple and nice product with just a little bit of retro flare… that also works on the 1D mark II. If you are looking for an inexpensive release cord that does the job… this is the cord for you

*** Product Information and Prices Stored: Feb 14, 2010 09:12:10

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The best features of the Canon PowerShot S90IS

February 11th, 2010 by madee998

The Canon PowerShot S80 Canon S90IS replaced with better features and small size. I hope this overview to help what so good about yourself when making a decision to purchase a camera.

Canon is known known for its quality and not disappoint this camera. The compact PowerShot S90 is the perfect pocket sized camera that can take anywhere. E 'thinner and lighter design that fits comfortably in your pocketAll right, no matter where you go.

Wide-angle 3.8x optical zoom lets you shoot from wide angle to telephoto. You will be able to put more people in your photos to fit to your online family gatherings. The 3-inch LCD screen offers a better way.

The 10MP sensor of the Canon PowerShot S90IS is almost twice as large as the other cameras in this category. In combination with the depth of field, and you'll get brighter images even in lowLighting scenarios. The f/2.0 lens also contributes to an image brighter and sharper.

The S90 has a higher shutter speed and an optical image stabilizer. Most cameras have only a medium-sized digital image stabilizer, so that the visual aspect is really an advantage. The optical image stabilizer is virtually eliminates blurry images and give you a better picture quality.

If you are really serious about photography is the function of manual control of love. This way you can turn to, so you shoot RAWyou'll never miss a shot, no matter where you are.

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Great Price Sigma B0009XQPJ8 for $289.95

February 9th, 2010 by madee998

Sigma 28-300mm f/3.5-6.3 DG IF Macro Aspherical Lens for Canon SLR Cameras Review


This is a low cost and very versatile lens so long as one does not expect perfection. Not as sharp as lenses costing 3-4 times more (big surprise there), it is nonetheless good enough for most hobbyists. I bought it as a one lens choice for vacations and travel. I dislike carrying a bag and multiple lenses while traveling, but I wanted a wide zoom range at a low price. This fills the bill nicely. I am a bit disappointed in the telephoto end of this lens. My Tamron 75-300 brings things a good deal closer than does this lens’s 300mm setting. I have tested them both at the maximum focal length on the same subjects, and the Tamron definitely renders subjects as substantially larger. I am not convinced we are getting the full 300mm focal length here. I think it’s really somewhere around 250mm (either that or the Tamron is really more than 300mm). That being said, I am still happy with the lens over all. It’s relatively light and compact and has a big zoom ratio even if its not quite as big as advertised. Macro works well. I have not been disappointed with image quality, although if I were shooting professionally I would want something a bit sharper.

Sigma 28-300mm f/3.5-6.3 DG IF Macro Aspherical Lens for Canon SLR Cameras Feature

  • Compact, high-performance zoom lens
  • Aspherical lens element corrects distortion
  • Minimum focusing distance of 50 centimeters
  • Focal length from 28 to 300 millimeters
  • Corresponding AF mounts: Canon SLR cameras

Sigma 28-300mm f/3.5-6.3 DG IF Macro Aspherical Lens for Canon SLR Cameras Overview

This MACRO lens covers all the focal lengths from 28mm wide angle to 300mm telephoto with 10.7:1 high zoom ratio as well as macro capability. 28-300mm F3.5-6.3 MACRO packs a lot of performance in a compact package with ultra compact dimensions that make this lens the ultimate traveling companion. It’s the ideal lens all types of photography and optimized for digital SLR cameras.The new multi layer lens coating and lens design reduce flare and ghost, which is a common problem with digital cameras and also creates an optimum color balance through the entire zoom range.This lens features one Special Low Dispersion (SLD) glass element and one aspherical lens in the front lens group, and one SLD glass element and three aspherical lenses in the rear lens group. This lens provides excellent correction for all types of aberrations.This MACRO lens has a minimum focusing distance of 50cm at all focal lengths and is equipped with a macro mechanism for close-up photography at 300mm telephoto, allowing a reproduction ratio of 1:3.This design allows for stability and compactness in design as changes in focus are made in an internal lens grouping. This also gives the advantage of a non-rotating front lens assembly, which is of great benefit when using polarizing filter and Petal-type hood.This MACRO lens is equipped with a zoom lock to prevent the lens from creeping due to its own weight, and to offer protection whilst the lens is being carried.

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Customer Reviews

Excellent “all around” lens for the price – Lloyd C. Johnson –
I wanted a general purpose lens for my everyday use and this one fills the bill nicely. The lens has a good solid feel, not too heavy, but not so light that you don’t feel like you’ve attached a piece of cheap plastic to your camera body. I’ve had no problems with resolution throught the range of the lens except for a bit of softness at the edges at 300mm. The only issue I would mention is that the zoom ring is a little stiff for my taste. If you want a good, general purpose lens without having to pay the price of a Canon L series, this is a good bet. Optical stabilization would be nice, but it is available on the newest version of this lens.
I shoot a lot and this lens seems to be rugged enough to stand up to difficult environments. For my purposes iit definitely was a good buy.

Canon xti – Priscilla Cathcart – Condon, Oregon
I recently purchased a Sigma camera lens for my Canon xti. 28-300mm
I took a trip to Lopez Island last week and cannot express the joy I have gotten with the pictures I took on the trip. Just wonderful!!!!!!!!!

Sincerely,
Priscilla

Sigma 28-300mm lens for Canon Digital SLR – Pete – Harvest, Al. USA
This is my second Sigma 28-300mm lens. The Sigma lens has great zoom range, makes great images, is easy to operate, and will auto-focus quickly. My first Sigma lens lasted about 2 years from constant use and the zoom movement jammed due to keyway failure. The new lens I have now has a tighter zoom movement than the first one and I plan to take several thousand digital pictures with it.
Let’s go take pictures!!
*** Product Information and Prices Stored: Feb 09, 2010 20:18:31

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Check Out Canon HG10, HV20, HV30 – Replacement Battery Charger (Incl. Car and European Plug Adapters) for $17.50

February 9th, 2010 by madee998

Canon HG10, HV20, HV30 – Replacement Battery Charger (Incl. Car and European Plug Adapters) Review

Canon HG10, HV20, HV30 – Replacement Battery Charger (Incl. Car and European Plug Adapters) Feature

  • Fully charges the battery in approximately 60-90 minutes.
  • Quick charge with automatic constant current control prevents battery from overcharging short circuit and electronic shock.
  • Dual voltage unit (110- 240V) can be used worldwide! Includes European plug adapter.
  • CE Safety Certification. UL Listed. Meets (or exceeds) OEM standards.
  • 1 Year Warranty.

Canon HG10, HV20, HV30 – Replacement Battery Charger (Incl. Car and European Plug Adapters) Overview

This battery charger replaces the Canon original: [ CBC-NB2 CB-2LT ] family model battery chargers. Package includes: One ultra slim lightweight battery charger one DC Car Plug Adapter and one European Adapter (220V)). Compatible with the following device models: Canon HG10 HV20

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*** Product Information and Prices Stored: Feb 09, 2010 20:05:35

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Great Price Sigma SIG-70300-5A9-CAN-58UV for $159.00

February 7th, 2010 by madee998

Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, & T1i Review

Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, & T1i Feature

  • Works with all Canon EOS Digital SLR’s
  • Opteka 58mm High Definition² UV (0) Ultra Violet Haze Multi-Coated Glass Filter Included
  • 34.3 to 8.2 degrees angle of view; F22 Minimum Aperture
  • 59.1 (150cm) / 37.4 (95cm) Macro Mode Minimum Focusing Distanc
  • 1 – 4.1 / 1 – 2 Macro Mode Maximum Magnification

Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, & T1i Overview

The Sigma 70-300mm f4-5.6 DG Macro Lens for Canon Digital SLR Cameras is a telephoto lens that offers excellent cost performance and is optimized for use with digital SLR cameras. Capable of macro photography, this lens has a 1:2 maximum close-up magnification at the 300 millimeter focal length. It’s the ideal high performance lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range. The lens features a switch for changeover to macro photography at focal lengths between 200 millimeters and 300 millimeters, with a maximum close-up magnification from 1:2.9 to 1:2.The multi-layer lens coating and lens design reduce flare and ghosting, which is a common problem with digital cameras, and it also creates an optimum color balance through the entire zoom range. The minimum focusing distance is 59 inches at all zoom settings. The lens features a switch for changeover to macro photography at focal lengths between 200 millimeters and 300 millimeters with a maximum close-up magnification. Without changing the distance between camera and subject, you can change the shooting magnification.

Bonus Opteka 58mm High Definition² UV (0) Ultra Violet Haze Multi-Coated Glass Filter Included!

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*** Product Information and Prices Stored: Feb 07, 2010 04:44:07

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